SUPER OMNIA investigates the relationship between form, perception, and power.
Through variations in sound, color, and imagery, the structure continually transforms, generating opposing interpretations:

Surveillance and protection.
Oppression and guidance.
Threat and transcendence.

The work challenges the notion of a single reality. That which stands above can be seen as control or salvation, weight or openness, limit or possibility. The surface becomes a symbolic screen upon which we project our fears, desires, and expectations. It is not the object that changes, but the surrounding context and the inner state of the observer.