Digital Arts

“Digital technology liberates artistic expression from the constraints of the material world, enabling it to assume fluid and mutable forms. Immersive environments, wherein viewers and digital artworks coexist, provide a dynamic context in which the modes of expression and transformation can be actively experienced.”

The installation showcases one of the recurring themes in The Fake Factory’s artistic poetics: the physical presence of the audience within the artwork. You will become the main actors capable of generating an infinite series of gestural choreographies and chromatic compositions with their own body.

Design & Direction: Stefano Fake

Touch Designer programmer: Alberto Gennaro

A sensual VR requiem, an ode to those of the female persuasion, who have experienced true love. Here they become Nymphs in an amorous yet lethal underwater dream.

The performance is a poetic study for the VR stage examining the insanity and beauty of love.

We flow through two dimensions: the sacral reality, where motives are set up in an anatomical theatre, while imaginary creatures from legends take us into a scenic dream, “far out in the ocean, where the water is as blue as the prettiest cornflower, as clear as crystal….”

Artists: ShuShuVR & Niko Lang

In collaboration with: The Popovy Sisters & Libera

VR Stream Filmmaker : Carlos Austin

Host & technical coordinators:  Sonja Unger & VenusSX

Sponsored by VenusSX

VASCA DTS is a light & sound installation exploring the connection between natural and technological elements, blending the fluidity of water with the precision and power of light and sound.

This artwork invites reflection on the beauty of natural phenomena and the interaction between humans, technology, and the surrounding environment.

It is a tribute to fluidity and the constant change of life, represented in a way that stimulates both the mind and the senses.

Created with

DTS underwater technology is recognized as a leader in Italy for its high-performance, durable, and precision-engineered underwater lighting solutions.

Immerse yourself in Auralis, an interactive installation created from the encounter between electronic music and visual arts where you can be the protagonist.

Blurring the boundaries between performer and audience, Auralis invites you to explore and create, transforming your movements into a unique sensory experience of sounds and lights.

You will be surprised by the magic of generative music and visual arts, where every moment is a collective and unrepeatable work of art.

‘We are such stuff sas dreams are made on, and our little life is rounded with a sleep.’

(William Shakespeare)

The evocative power of Shakespeare’s work meets the expressive possibilities of immersive digital art in the installation THE TEMPEST, inspired by the homonymous play by William Shakespeare and specifically by the initial scene of the shipwreck, with a seamless movement of sea waves that transports the visitors to the wreck of our certainties and abandons them to an unknown island, a place of magic and transformation.

Today, Shakespeare’s text seems appropriate to describe digital art which stages optical illusions, ephemeral scenographies, visual and sound deceptions. Through a completely video-projected environment, the public is transported on a sensorial journey that blends moving images, music and sounds in an installation capable of enveloping and involving all the senses.

The Limen (threshold) is the synthesis between space and time in an aggregate in which one determines the other, without entailing an end, but rather two beginnings.

In comparison with the Limes, it includes and celebrates the responsibility underlying the choice, because the threshold is only such when it is crossed, therefore implying a relationship with the subjectivity that determines it.